Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
It all started with a slightly skewed phrase that popped into my head one day for no reason... ‘A leopard never changes his spats’. This conjured a comical image of a dapper feline with an immaculate top hat and cane but inexplicably dirty footwear. A children's illustrator could have a field day, I thought.



Building on the theme, I racked my brain for more well-known sayings, and made a rule for myself... each idiom could only be changed by a single letter. And then I came up with a title that explained the concept by almost acting it out — ‘From Idioms to Idiots — How One Letter Can Make All The Difference’.
Arjen Robben, who Van de Vaart in Heaven

Oranje be thy name.

Heitinga come, and Nigel De Jong,

On Dirk and Giovanni build the eleven.

Give us this Allefay our Boulahrouz,

And Sneijder’s stupendous passes,

As Stekelenburg halts those who try pass against us.

And lead van Bommel not into temper tantrums;

But deliver us from egos.

For thine is Elia, Van Persie and Huntelaar,

Total football forever.

Amstel.



(With apologies to Nick Asbury)
My 50-word piece on Shahrnush Parsipur was featured on the 26:50 site today. Here’s the thinking behind it.

I came across an interview she gave to an Iranian journalist when she was in London a few years ago. Apparently she stopped off at M&S on the way and bought a red dress. She liked the idea that it was OK to wear something a bit bright and garish, that made her stand out a bit if she chose.

This seemed such a simple liberty, but nevertheless it was one that had been denied in her home country, where women are expected to stand in the shadows. So I used this idea to start my 50 words.

Finding out more about her writing, I discovered that her work is surreal, dreamlike and often myth based, verging on magic realism. I decided to contrast her colourful imagination with the black pen of the censor that tried to repress it.

Parsipur is not an overtly political writer, she doesn’t even consider herself to be a feminist. But by exploring female sexuality and class in her society, she was seen to have stepped over a line. The red dress seemed to sum up both her bravery and her creativity.

Here’s what I wrote:

In exile she can wear red,
If she chooses.

At home all is black.
Black veils;
Black lines that strike out her words;
The abysmal black terror of another cell.

But still she writes in colour;
Bright, burning colour that knows no bounds
Free to fly wherever fancy takes it.
26 have had a longstanding relationship with International PEN, an admirable pressure group which supports suppressed writers all over the world. This year, we launched the 26:50 project to help celebrate the 50th anniversary of PEN’s Writers in Prison committee.

PEN had already linked 50 writers with 50 campaigning years. We took the next step by randomly pairing each of the PEN writers with a writer from 26. The brief? Write 50 words, no more, no less, inspired by the life and work of your writer.

My subject was the Iranian writer Shahrnush Parsipur (right), the year 1974. That’s when her first novel The Dog and the Long Winter came out, and when she first went to prison – for protesting about the torture and execution of two journalists (she was working as a TV producer at the time). She spent 59 days in jail and then fled to France, returning to Iran after the Islamic Revolution in 1980. However, it was a case of ‘meet the new boss, just like the old boss’. Once back on home soil, she was immediately arrested and incarcerated for four and a half years without trial or charge.

She continued working on her third novel Women Without Men after her release, but its frank depiction of women’s sexuality didn’t go down too well... she was rearrested in 1989, and at that point decided it might be wise to quit the country for the US. She hasn’t been back since, and all her books have been banned in Iran.

My fifty words should be out any day now on 26-50.tumblr.com. If you check in now, you can read how other 26 members have responded to their writers. One effort a day is being published until 18 April.