Showing posts with label ads. Show all posts
Showing posts with label ads. Show all posts
Strange yet gratifying when something you've written pops into your email inbox unexpectedly. Here's a little something we crafted recently for Godiva, the luxury Belgian chocolatier. Sweet.






That’s my Coy... the face that launched a thousand ads
On Wednesday afternoon, I skipped along to IPC’s offices just behind Tate Modern, to hear a talk by my old mate, the commercials director Mark Denton. As you may or may not know, Mark is one of Adland’s brightest and most enduring talents, or as he puts it, “just about getting the hang of this advertising lark after 30 years playing around at it”. 

Although Mark has been perfecting his highly entertaining spiel at various ad agencies in London and New York over the past months, this was the first time he’s been let loose on a non-advertising audience, and he was moderately nervous at the prospect.

Never knowingly understated, Mark cut his typical dash in a tailored navy suit, fairground bling rings, and finely tweaked moustache. Following a loose structure, he spoke without notes for 90 minutes, charming, amusing and (yes) inspiring a packed auditorium with his anecdotes and observations.

I was already very familiar with Mark’s bulging portfolio, so I won’t list his greatest hits here, but rather recall six pearls of wisdom he served up. Bear in mind that these are just the pointers that I came away with, and they were by no means delivered in such regimented style.

1 Advertise yourself. Though steeped in advertising, many creative teams are surprisingly lax about getting themselves noticed. Mark has developed a series of ploys and strategems to help him stand apart… if he’s visiting a client he often wears a bespoke track suit with  ‘Denton’ in fairground type emblazoned across the back, so everyone knows who he is. When his commercials company Coy has news, he sends out a bill poster, tied to a rubber brick with a ribbon. 

2 Do your own thing. Mark can’t resist a personal project. He’s brought out a range of tweed jeans, two magazines, several exhibitions, and a book on Mexican wrestling. Though he never skimps, generally he hasn’t lost money… they’ve either been picked up, fed into paid work, or developed an unexpected life of their own. Like the portraits of ‘Edwardian footballer’ Nobby Bottomshuffle (Mark dressed up), which ended up in the National Football Museum in Preston.

3 Let your love shine through. As a child, Mark was obsessed with telly adverts, comics, and his John Bull printing set, and these have continued to inform and inspire his work. His style often has a kitschy, overblown quality to it — always combined with a knowing wink. He describes his natural aesthetic as “schoolboy jokes with a high-end finish”. Actually, this look is very prevalent at the moment, but Mark’s almost painful attention to detail sets his work apart.

4 Don’t be afraid to ask. Mark rather disingenuously claimed that he had no particular talent, but knows a lot of people he can rope in as necessary. Creative people will jump at the chance to be creative — ask them to contribute to an exciting project (even for free), and the chances are they’ll say yes. When he was putting together a magazine, Mark not only sold all the ad space, but persuaded some of London’s top teams to create one-off ads.

5 Always return a favour. In the creative community, you need the breaks to make your mark, whether that’s a recommendation, or a job, or an introduction. Mark’s talk was full of people popping up when you least expected them… like the recently graduated photographer Mark commissioned, who many years later asked him to become a partner in his commercials company.

6 One thing leads to another. Mark’s career has been full of wonderful happenstance, curious connections and seeming to be at the right place at the right time. It’s like a spider’s web of opportunity, magically spinning out from the centre. But there’s a reason for this… Mark doesn’t just talk about doing things, he actually does them. Once they are out there, they take on a life of their own, propelled by the force of his personality.

As announced at the talk, I'll be writing a book on Mark's work later this year. He said so, which means it's definitely going to happen. Can’t wait. 

Mark Denton is a founder and director at Coy Communications. 
By George... this looks damn familiar
I’ve just been reading a book by the celebrated US art director George Lois. Lois was not only responsible for some of the most seminal ads of the 1960s and 1970s, but his extraordinary covers for Esquire magazine are now on permanent display in New York’s MoMA. The slim volume is called ‘Damn Good Advice (for people with talent!)’, and consists of a series of illustrated lessons culled from his many years in advertising and publishing.

If you’ve read Paul Arden’s ‘Whatever You Think, Think The Opposite’ and ‘It’s Not How Good You Are, It’s How Good You Want To Be’, you’ll get the gist. It’s a collection of snappy, from-the-horse’s-mouth pointers on how to be creative. In fact, the format is remarkably similar — standard paperback size, white cover with bold black type. Inside, brutally straightforward, sometimes irreverent headlines, accompanied by a couple of paragraphs of wisdom or anecdote, and a carefully chosen image that colours or juxtaposes the point being made.

The pace is staccato and relentless. You feel you’re being hit over the head with page after page of ‘damn good advice’ — ‘Make your surroundings a metaphor for who you are’, ‘Never eat shit’, ‘A trend is always a trap’, ‘Tell the Devil’s Advocate in the room to go to hell’, ‘Speak up, goddammit!’. For full effect shout rapidly in a Noo Yoik accent.

The first few pages are fine, inspiring even. You’re thinking, right on, don’t compromise, fight the good fight, believe in yourself, stick it to the man. But as they keep coming (and coming) small seeds of doubt start creeping in. Firstly, it starts to become apparent that a lot of the ‘damn good advice’ is pretty self evident. Like ‘Don’t sleep your life away’, and ‘Don’t expect a creative idea to pop out of your computer’. You can’t argue with either, but most people will have worked this out for themselves. Unless they were sleeping, of course.

Arden fast rules... an adman’s wisdom
Secondly, if I took every leaf out of Lois’s book, I’m pretty sure my clients would run a mile. For example, he recalls a time when he stood on a window ledge and threatened to jump unless his poster idea was accepted. Or dropped the biggest book he could find on the floor when his boss was ignoring him. It’s the kind of ‘maverick’ behaviour that pervaded UK advertising in the 1980s, ‘crazy creative guys’ throwing more and more outrageous stunts to get noticed.

Of course be determined, confident and original. Of course stick up for your ideas and take inspiration from wherever you find it. And I tip my hat to Lois for his single-mindedness, chutzpah and towering achievement. But, I can’t help feeling that if there were 100s of creative people out there following this credo, we’d have mayhem on our hands. The point is, we’re all creative in different ways, and realising this is the first step on the path to originality.

‘Damn Good Advice’ is a damn good ad for George Lois, but you need to take it with a pinch of salt. Or as he might put it ‘You can't be creative if someone has to tell you how’.

Another interesting job with Cubic, this time for lighting manufacturers Abacus. We were asked to provide copy for six product-specific ads and a brochure, showcasing the company’s new range of energy-efficient LED luminaires (as we quickly learned to call them). To be honest, the copy needed to be fairly straightforward and to do a job, succinctly explaining different designs, functions and uses. The real creativity was in the concept and the photography, which took the lighting out of its usual urban environment and placed it in striking natural settings in the Peak District. Creating an arresting, slightly surreal ambience, the imagery emphasised the natural forms and structures of the luminaires, while suggesting a raw, elemental power.
At last. After several false starts and many months in the making, here'stotalcontent’s very first mailshot. It's a series of three A2 posters designed byRichard Scholey and Simon Morrow at Elmwood, with the illustrated chimps provided by Rob Ball of the Partners. Jim had hours of fun coming up with suitable misquotes from Shakespeare, which had to be close enough to be familiar, but surreal enough to be funny. The idea is based on the ‘infinite monkey theorem’, which suggests that given an infinite amount of time a group of randomly typing monkeys would produce the complete works of Shakespeare. 

The sign-off copy at the bottom reads: 

‘If they stuck at it forever, a thousand typewriting monkeys would eventually tap out the complete works of Shakespeare. But if you haven’t got time to monkey around for copy, better call Jim Davies on 01926 812286.’ 

The letters are keys culled from an ancient typewriter, while the sign-off is set in a suitable typewriter font. 

Many thanks to everyone involved for making this happen. If you want one for your studio wall please email us here and we’ll mail you some hot-off-the-press monkeys.
Jim has been working with The Liquid Way on a series of six press ads for G-Tech hard drives. They’re a line of tough, good-looking, Mac-friendly drives aimed fairly and squarely at the creative community – photographers, musicians, filmmakers, designers, animators – so-called ‘prosumers’. 

Each ad features a different creative type, telling their story and how various G-Tech drives have become central to the way they work, keeping their precious moments of inspiration safe, backed-up and accessible. Space was tight, so the knack was to get their character and working processes across as economically as possible. The first (pictured) stars the highly rated conceptual photographer Tim Flach, who specialises in fine art portraits of horses, and goes to the ends of the Earth to find them.
ProGolf IQ is a new ‘brain training’ audio technique that helps to get your mind in tip-top shape for golf. Developed by a noted Australian psychologist, the five-week programme promises to put you ‘in the zone’ before you take each shot and radically improve your game. totalcontent was asked to write extensive web site copy, an online video script, and press ads, explaining the often complex ins and outs of the programme in a golfer-friendly way. The look and feel was designed by the recently formed, but highly talented,Magpie Studio. Now, where's my four iron?