You really can’t accuse Norm of tackling the obvious subjects. A couple of years ago, his brilliant book ‘Overspray’ brought us the super-slick, sexually charged excesses of 1970s US West Coast airbrush art. And now, ‘Electrical Banana’ takes us on an LSD-fuelled journey into 1960s psychedelic art, “the look that defined a decade”, according to the blurb.
He may be right … Any Beatles fan will already be familiar with the trippy, exaggerated comic book aesthetic and garish tapestry-like landscapes of Heinz Edlemann, the illustrator behind Yellow Submarine. But the work of the other six artists, whose shared influences are apparent, seems strangely resonant too. Generously illustrated, with insightful interviews, this is a rare and fascinating glimpse into a colourful lost world of sex, music, mayhem and mild peril. And look out for the introductory Q&A featuring Macca himself, offering his take (or should that be toke?) on the psychedelic era.
From the inside flap:
|Heinz Edelmann... a pre-release drawing from Twen magazine|
The artists include MARIJKE KOGER, the Dutch artist responsible for dressing THE BEATLES; MATI KLARWEIN, who painted the cover for MILES DAVIS’ BITCHES BREW; KEIICHI TANAAMI, the Japanese master of psychedelic posters; HEINZ EDELMANN, the German illustrator and designer of the YELLOW SUBMARINE animated film; TADANORI YOKOO, whose prints and books defined the '60s in Japan; DUDLEY EDWARDS, a painter, car decorator, and graphic embellisher for the London scene, and the enigmatic Australian MARTIN SHARP, whose work for CREAM and the underground made him a hippie household name in Europe.
By Norman Hathaway and Dan Nadal
£17.55 on Amazon