Picked these beauties up in my local Oxfam shop last weekend. The reason I couldn’t resist them was twofold... PG Wodehouse and Penguin Classics. These are 1962 reprints, by which time Penguin had ditched the strict three-part horizontal typographic layout of their original offerings and gone vertical, incorporating simple illustrations. These sketches by Geoffrey Salter are perfect – economic yet evocative, a near match for Wodehouse’s easy, mellifluous writing. I have most of the great man’s canon in some form or other, but I’m always on the look out for more of these orange and white gems.
Picked these beauties up in my local Oxfam shop last weekend. The reason I couldn’t resist them was twofold... PG Wodehouse and Penguin Classics. These are 1962 reprints, by which time Penguin had ditched the strict three-part horizontal typographic layout of their original offerings and gone vertical, incorporating simple illustrations. These sketches by Geoffrey Salter are perfect – economic yet evocative, a near match for Wodehouse’s easy, mellifluous writing. I have most of the great man’s canon in some form or other, but I’m always on the look out for more of these orange and white gems.
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